Tracks
The tracks below can be streamed or downloaded for FREE!
If you’d like to purchase some of my other tunes, check out the LINKS page or go to pineconemoonshine.com
For the sake of downloading speed, if you are just previewing or streaming the tracks, I recommend clicking the mp3 versions. If you are downloading, go for the higher quality wav files.
Check back soon for more music…
Desolate is a militant half-time roller with melancholy overtones that are as about as close as I ever get to a melody. Industrial crashes and crunching noises reinforce drums that were sampled from a dubstep track. Made in 2005/2006, this is one of my favorites.
I made this track the night before Halloween in 2006, on “Devil’s Night”. The sounds of a factory assembly line lead up to dramatic shocks and humid breathing that reverberate around altered amenz spliced with a rugged drumfumk break. The multi-textured, thunderous bass line competes for attention with the aggressively cascading beatz.
Mantis is a dark tech stepper that blends amen and hip-hop breaks with a contructed loop made entirely of industrial sound effects. I made it in Santa Cruz around 2006. In 2008, TVG Hates TVG did an amen heavy remix of Mantis, and it’s available at Pineconemoonshine.com
Stutter is a bit on the drumfunk tip and is given some distinction by reverbed, watery sloshes surrounding some of the breaks. A burning, electric synth oscillation brings some suspense to the drops…
Tektonik utilizes some classic breaks over a powerful, dark electro bassline. I prefer to play it at a slightly slower speed than its original speed.
This is the original version of Under the Radar made in 2006, (TRA-35 does a remix featured in the mix “Tranzplanted” on the mixes page). It begins with echoed half-time beats and haunting atmospherics that eventually break down into an abstract frenzy of twisting breaks and subtle mechanistic samples. Halfway through the track has a second, heavier drop. This one’s for your mind, or perhaps an open-minded dancefloor….
Undulate is a bizarre track that definitely stands in the “experimental” category. An excess of reverse hi-hats and multi-toned bass lines combine with some of my recorded didjeridu to create a slithering, twisted track that starts and stops at will.
Vaporz employs robotic, atrophied beats surrounded by soothing synth pads and distorted bass lines. Halfway through, it breaks down into a marching half-time amen pattern before returning to its original vibe at the end of the track.